Abstract
This study aims to investigate how the Brazilian far-right networks utilising humour appropriate transnational user-generated content and produce internet memes. Such memes undergo an adapted translation to local realities or become a message of a generalist and universal nature, sharing common rhetorical elements or values to contexts as far as Italy, Spain, Ukraine and the Middle East. Based on the analysis of the quiddities of these memes, the article is focused not on identifying the humorous mechanisms of such jokes, but on the ways they alternate between local and universal grammars. There is a wide literature that criticizes the interpretation of the superiority theory for laughter. For such literature, the comparative analysis of jokes in different nations highlights how humour follows a transcultural logic (Davies, 1998, 2011). These studies often show that the same motto is found in different contexts, changing only the butt of the joke. This argument would demonstrate a certain universality of humour, against which an also vast body of texts advocates, including some critical humour studies dedicated to investigating humour and hatred, and focusing on neo-Nazis and supremacist jokes (Billig, 2001; Weaver, 2011). Despite these two major trends having widely referenced studies, the transnational character of far-right humour has been relatively neglected. This article proposes to combine these approaches and reconcile these literatures by discussing humorous memes from supporters of the former Brazilian president Jair Bolsonaro, which circulated in WhatsApp groups between 2018 and 2022. The article undertakes an interpretive analysis of such contents and draws attention to the connection between far-right humour and social media populism (Gerbaudo, 2018).
References
Bakhtin, M. (1984). Rabelais and his world. Indiana University Press.
Baldwin-Philippi, J. (2018). The technological performance of populism. New Media & Society, 21(2), 376-397. https://doi.org/10.1177/1461444818797591
Bennett, W. L., & Toft, A. (2008). Identity, technology, and narratives: Transnational activism and social networks. In A. Chadwick & P. N. Howard (Eds.), The Routledge handbook of internet politics. Routledge.
Bergamo, M. (2023). Toffoli diz que prisão de Lula é um dos maiores erros judiciários do país e pede investigação. Folha de S. Paulo, September 6, 2023. Retrieved September 17, 2023, from https://www1.folha.uol.com.br/colunas/monicabergamo/2023/09/toffoli-diz-que-prisao-de-lula-e-um-dos-maiores-erros-judiciarios-do-pais-e-pede-investigacao.shtml
Billig, M. (2001). Humour and hatred: The racist jokes of the Ku Klux Klan. Discourse & Society, 12(3), 267-289. https://doi.org/10.1177/0957926501012003001
Bogerts, L., & Fielitz, M. (2018). “Do you want meme war?” Understanding the visual memes of the German Far Right. In M. Fielitz & N. Thurston (Eds.), Post-digital cultures of the far right. Transcript Verlag.
Boukes, M., & Hameleers, M. (2020). Shattering populists’ rhetoric with satire at elections times: The effect of humorously holding populists accountable for their lack of solutions. Journal of Communication, 70(4), 574–597. https://doi.org/10.1093/joc/jqaa020
Boxman-Shabtai, L., & Shifman, L. (2013). When ethnic humor goes digital. New Media & Society, 17(4), 520-539. https://doi.org/10.1177/1461444813506972
Chagas, V., & Da-Costa, G. (2023). WhatsApp and transparency: an analysis on the effects of digital platforms’ opacity in political communication research agendas in Brazil. Profesional De La información, 32(2). https://doi.org/10.3145/epi.2023.mar.23
Chagas, V., & Massuchin, M. G. (2022). Repertórios e estratégias do ativismo digital de direita. In L. Tatagiba, D. R. Almeida, A. G. Lavalle & M. K. Silva (Eds.), Participação e Ativismos: Entre Retrocessos e Resistências. Zouk.
Chagas, V. (2023a, forthcoming). Humor and nationalism in Bolsonarist far-right WhatsApp memes in Brazil. In H. D. Fernandez & J. Poblete (Eds.), Internet, humor, and nation in Latin America. University Press of Florida.
Chagas, V. (2023b). Dolce farmeme: a retórica da brincadeira política [Dolce farmeme: the rhetoric of political play]. Revista Brasileira de Ciências Sociais, 38(111), 1-15. https://doi.org/10.1590/3811008/2023
Chiaro, D., & Kuipers, G. (2017). Introduction. The European Journal of Humour Research, 5(4), 3-6. https://doi.org/10.7592/EJHR2017.5.4.chiaro1
Davies, C. (1998). Jokes and their relation to society. De Gruyter Mouton.
Davies, C. (2011). Jokes and targets. Indiana University Press.
Denisova, A. (2020). Internet memes and society: Social, cultural, and political contexts. Routledge.
Freud, S. (2017). Freud (1905) - Obras Completas volume 7: O chiste e sua relação com o inconsciente. Companhia das Letras.
Gerbaudo, P. (2018). Social media and populism: an elective affinity? Media, Culture & Society, 40(5), 745–753. https://doi.org/10.1177/0163443718772192
Gross, K. (1901). The play of man. D. Appleton and Company.
Know Your Meme (2019). Death knocking on doors. Know Your Meme. Retrieved September 17, 2023, from https://knowyourmeme.com/memes/death-knocking-on-doors
Know Your Meme (2018). The silent protector. Know Your Meme. Retrieved September 17, 2023, from https://knowyourmeme.com/memes/the-silent-protector
Kristensen, N. N., & Mortensen, M. (2021). ‘Don’t panic people! Trump will tweet the virus away': memes contesting and confirming populist political leaders during the COVID-19 crisis. Information, Communication & Society, 24(16), 2442-2458. https://doi.org/10.1080/1369118X.2021.1972127
Laclau, E. (2007). On Populist Reason. Verso.
Laineste, L., & Voolaid, P. (2017). Laughing across borders: Intertextuality of internet memes. The European Journal of Humour Research, 4(4), 26-49. https://doi.org/10.7592/ejhr2016.4.4.laineste
Lamerichs, N., Nguyen, D., Melguizo, M. C. P., Radojevic, R., & Lange-Böhmer, A. (2018). Elite male bodies: The circulation of alt-right memes and the framing of politicians on Social Media. Participations, 1(15), 180–206.
LDS Church (2023). Fatos e Estatísticas. A Igreja de Jesus Cristo dos Santos dos Últimos Dias [Portuguese Version]. Retrieved September 17, 2023, from https://noticias-br.aigrejadejesuscristo.org/fatos-e-estatisticas
Lobanov, N. (2020). "Twittare allo Specchio?" Analisi delle Reazioni su Twitter della Destra Radicale Italiana intorno a un Crimine D'Odio. Storie e Linguaggi, 5(2), 125-159.
Mendonça, R. M., & Caetano, R. (2020). Populism as parody: The visual self-presentation of Jair Bolsonaro on Instagram. The International Journal of Press/Politics, 26(1), 210-235. https://doi.org/10.1177/1940161220970118
Menezes, L. F. (2021). Jornal chileno El Mercurio não publicou charge em que Bolsonaro barra comunismo no Brasil. Aos Fatos, July 6, 2021. Retrieved September 17, 2023, from https://www.aosfatos.org/noticias/jornal-chileno-el-mercurio-nao-publicou-charge-em-que-bolsonaro-barra-comunismo-no-brasil/
Milner, R. M. (2013a). Pop polyvocality: Internet memes, public participation, and the Occupy Wall Street Movement. International Journal of Communication, 7, 2357-2390.
Milner, R. M. (2013b). Media lingua franca: Fixity, novelty, and vernacular creativity in internet memes. AoIR Selected Papers of Internet Research, 3. Retrieved from https://spir.aoir.org/ojs/index.php/spir/article/view/8725
Moreno-Almeida, C., & Gerbaudo, P. (2021). Memes and the Moroccan far-right. The International Journal of Press/Politics, 26(4), 882-906. https://doi.org/10.1177/1940161221995083
Nagle, A. (2017). Kill all normies: Online culture wars from 4Chan and Tumblr to Trump and the alt-right. Zero Books.
Nissenbaum, A., & Shifman, L. (2018). Meme templates as expressive repertoires in a globalizing world: A cross-linguistic study. Journal of Computer-Mediated Communication, 23(5), 294-310. https://doi.org/10.1093/jcmc/zmy016
Oring, E. (2008). Engaging humor. University of Illinois Press.
Pérez, R. (2013). Learning to make racism funny in the ‘color-blind’ era: Stand-up comedy students, performance strategies, and the (re)production of racist jokes in public. Discourse & Society, 24(4), 478-503. https://doi.org/10.1177/0957926513482066
Pérez, R. (2022). The souls of white jokes: How racist humor fuels white supremacy. De Gruyter Mouton.
Revi A. V., R. (2014). Understanding obscenity and offensive humour: What’s funny? The European Journal of Humour Research, 2(3), 98-114. https://doi.org/10.7592/ejhr2014.2.3.revi
Santos, A. C. (2019). A circulação de memes eróticos da Dilma: vinculando públicos afetivos e fortalecendo fronteiras simbólicas no contexto do impeachment. Proceedings of the Compós, Brazil. https://proceedings.science/compos/compos-2019/trabalhos/a-circulacao-de-memes-eroticos-da-dilma-vinculando-publicos-afetivos-e-fortalece?lang=pt-br#
Schwartz-Shea, P., & Yanow, D. (2012). Interpretive research design, concepts and processes. Routledge.
Segev, E., Nissenbaum, A., Stolero, N., & Shifman, L. (2015). Families and networks of internet memes: The relationship between cohesiveness, uniqueness, and quiddity concreteness. Journal of Computer-Mediated Communication, 20(4), 417-433. https://doi.org/10.1111/jcc4.12120
Shifman, L., Levy, H., & Thelwall, M. (2014). Internet jokes: The secret agents of globalization? Journal of Computer-Mediated Communication, 19(4), 727-743. https://doi.org/10.1111/jcc4.12082
Teitelbaum, B. (2020). War for eternity: Inside Bannon's far-right circle of global power brokers. Dey Street Books.
Tsai Yi Jing (2020). Bolsolixo versus Malddad: O uso dos memes para campanha negativa apócrifa no Twitter nas eleições de 2018 [Masters dissertation, Fluminense Federal University]. Fluminense Federal University Repository. https://app.uff.br/riuff/handle/1/22709
Wagner, A., Schwarzenegger, C. (2020). A populism of Lulz: The proliferation of humor, satire, and memes as populist communication in digital culture. In B. Krämer & C. Holtz-Bacha (Eds.), Perspectives on populism and the media: Avenues for research (pp. 313-332). Nomos.
Weaver, S. (2011). The rhetoric of racist humour: US, UK and global race joking. Routledge.
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Copyright (c) 2024 The European Journal of Humour Research